I sit at a worn-out wooden
bench, senile yet stately – the bench, not me - and absorb – I do, not the
bench – the scene unwrapping itself in front of me. My claim does not extend to
asserting that there is something exceptional in the scene that lay in front of
me. In fact, it shines in its ordinariness. In front of me sprawls the Princes
Street Gardens (since almost everything in Edinburgh, Scotland, has a regal
significance to it). I’ve just come out of the Scottish National Gallery,
alternatively called the Scottish Art Gallery (yes, a lot is in the name,
something I realised in the morning when my overdependence on technology – read
Google Maps – led me to Scottish National Gallery of Modern Art, which was
quite offhandishly located in an isolated corner of Edinburgh, and contributed
quite a lot to my step count of today).
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